Different perspectives in Revanche

10 April 2012

A Polish prostitute, Tamara (Irina Potapenko), languishes in an Austrian brothel, where the owner is trying to persuade her to work from her own flat and with a higher class of clientele. Meanwhile, her boyfriend (Johannes Krisch), who wants to buy a place in Ibiza, takes her along to rob a bank.

A policeman shoots the getaway car and tragedy ensues. Devastated, the boyfriend hides out at his old father’s farm, his life in ruins. Unknowingly, he has a liaison with the frustrated wife of the policeman who fired the shot.

You can view the film either as a European film noir or as a social realist study of a class structure that contrasts the working-class prostitute’s lover with the bourgeois policeman and his wife. Either way, Gotz Speilmann’s film is well-made, aptly characterised and seems frighteningly true to life. Nominated for an Oscar as Best Foreign Film last year.

Revanche
Cert: 15

Create a FREE account to continue reading

eros

Registration is a free and easy way to support our journalism.

Join our community where you can: comment on stories; sign up to newsletters; enter competitions and access content on our app.

Your email address

Must be at least 6 characters, include an upper and lower case character and a number

You must be at least 18 years old to create an account

* Required fields

Already have an account? SIGN IN

By clicking Sign up you confirm that your data has been entered correctly and you have read and agree to our Terms of use , Cookie policy and Privacy notice .

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged in