It is always difficult to argue with heartfelt theatre and few pieces tend, as Chuck Mike's Sense of Belonging does, to leave the majority of their cast members in tears.
Not many works, however, tackle the contentious issue of female genital mutilation, that barbaric practice aimed at subjugating female sexuality, which is estimated to affect a staggering 130 million women worldwide.
The passion and the cause in this Collective Artistes production, which was seen at this same venue last year, are therefore indisputable, but the theatrical execution is far more problematic. Seven unnamed women are, for no adequately explained reason, present at an inquiry into FGM. During a recess in proceedings, the group talk, dance, sing and argue, sharing their own stories or those of loved ones.
Mike's production is certainly strikingly staged, with the almost bare set enlivened by the kaleidoscope of colours in Atlanta Duffy's beautiful costumes made from traditional African cloth.
This is no help, however, with the wild lurches in tone or indeed the difficulty of comprehending large sections of the text. What is conveyed clearly, though, is the atmosphere of complicity and collusion, often from the victims themselves, in the societies in which this practice flourishes.
Suzann McLean makes an impassioned Woman 5, whose frustratingly fragmentary story dominates the narrative. She and her colleagues should be commended for their obvious commitment to this piece, but should ask the creative powers that be to provide them with a vehicle that would do their energy, and this topic, full justice.
Until 26 July. Box office: 020 7503 1646.
Sense Of Belonging (The Tale Of Ikpiko)
